For a singer songwriter, the benefit of starting from a point of quiet is the room it allows for manoeuvre afterwards. Such is the case with the subtly cinematic second album from Sandra Sumie Nagano, Lost In Light, through Bella Union.

On 2013s eponymous debut, Sumie tapped into the mid-point between Scandinavian and Japanese folk music to deliver an album of blissful restraint, its quietude shaped by a combination of parenthood and natural inclination.

The follow-up is an album of stealthy dynamism, drama and mystery, its impact made all the greater because it skirts obvious routes to dance just out of hands reach, always seeming to be on the verge of departure.

Those who helped Sumie climb that poised peak included producer Filip Leyman, in whose Gothenburg studio the album was recorded. Fellow contributors numbered Karl Vento and Albert af Ekenstam on electric guitars, Emma Strt and Kajsa Persson on strings and Max Lindahl on trumpet.

Sumie has also surfaced on others work. She sings on Cover Hearts, a track from sometime soundtrack composer David Wenngrens Library Tapes project and on Gothenburg electro-collective Tegamis pulsing Screen Dream. Meanwhile, back at base camp, Lost In Light is a screen-style dream of an album itself: immersive while it lasts, haunting after it flickers out of view.