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The script for Parasite begins as follows: “Dark and hopeful music plays.” For a long time, I contemplated whether this piece of music could actually exist.Director Bong (Joon-ho) and I began with a sound that could permeate through the entire film and progress with focus. What si the one singular tone that canaccompany emotions ranging from the most trivial humiliation to the extremities of murder, express al sorts of chaos, and embody the exhilaration of speed, or peace, or loneliness, or messy and dirty situations?
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